Direct Transit draws together objects, records, imagery, stories, and inspiration from what little of the artist's family history has survived, and uses these to create documentary and imagined works on migration, loss, and multi-generational memory, bringing a very personal history into dialogue with contemporary discussions on migration, discrimination, and identity.
Following an in-depth investigation into post-war modern architecture, Fabian Patzak has now shifted his focus to the details: shapes and patterns. While continuing to incorporate impressions of architectural elements inspired by buildings in Western Europe and the US, the works in "Variations - Kulturengeflechte" make ample reference to historically non-Western patterns, and investigate the borders between what have, in modern history, been identified as cultural markers and separate contexts.
With his series Unugly Buildings, the artist Fabian Patzak reconsiders the aesthetic and critical evaluation of mid-century modernist structures as “ugly.” Focusing on the materials of these buildings, and their interplay with the natural environment, Patzak explores some of the formal qualities that endowed modernism with a sense of opportunity and expressiveness in its early manifestations. And by isolating the structures from the landscape, he reframes previously dismissed work by architects, like the Austrian Georg Lippert, in new angles, providing the viewer with unexpected glances at familiar places, as well as vistas free of the cultural and psychological conditioning that often factors into analyses of architecture, particularly its elevation to the status of “beautiful,” or relegation to “ugly.”
The emotional resonance of architectural space has been investigated by numerous artists, architects, and critics. Whether their responses are conditioned through social or cultural interactions, memory, or personal relationships to light, color, and form, the individual´s experience of the built environment, or place – its phenomenological and more psychologically charged metonym – is unique. The open-ended meanings and interpretations of those experiences are formed through concrete interactions with shapes and materials as well as by the aspirations and thoughts with which the mind fills man-made – and natural – space.
In this collection of work, Fabian Patzak extends and refines the concerns of his past projects through an exploration of the psychological connections attached to architectonic spaces, whether perceived through lived experience, memory, emotion, thoughts, or dreams. Similar to Adolf Loos and Frederick Kiesler, who schematized architecture and its interiors to include the mental and tactile, Patzak dispenses with time and scientific observation to construct space and considers the phenomenological and psychic values that shape perceptions of both literal and metaphorical environments.
All images © Fabian Patzak